“For those of us who have lived a long time in the Maine landscape, it is as if Tom Curry were rendering the ache of the familiar and beloved,”
Susan Hand Shetterly–Down East Magazine.

 

Life on the Maine coast is charged with a brilliance, a wildness. The waters are a living green ecosystem, radiating wonder. There's an urgency to my work because so many of these places are being lost to development.

Nature, ever changing, offers countless compositions. I want to evoke a place, time and atmosphere in my work. The natural world is my big studio, filled with opportunities to observe nature and explore its seamless miracle. Open air painting is a selection process: this sky, these waves, this foreground. It's not a fragment, but a series of experiences not limited to space and time like a photograph. Many places feel sacred to me, places where the landscape evokes a sense of stewardship and reverence.

I have worked with pastel more than 20 years. The medium's fluidity and immediacy allow me to capture the ever changing light, water, and atmosphere. I often return to work in the same locations with infinite daily results.

Many artists influence my work: Ferdinand Hodler, Wolf Kahn, Marsden Hartley, Tom Thompson and Rockwell Kent. I also find inspiration in Jean Baptiste-Camille Corot's paintings of the Italian countryside, as well in the work of Edgar Degas, Fairfield Porter, Edward Hopper and Rockwell Kent.